A group of six oddball but resilient youngsters encounter the trail of a immense and dreadful otherworldly darkness that has infiltrated our realm from the farthest reaches of darkness. They have no choice but to devote their lives confronting it, enduring terror upon terror in the struggle.
This outlines the narrative, roughly, of the master of horror’s iconic book It (arguably his finest; undeniable). It similarly frames of the celebrated author’s heir Joseph Hillstrom King’s new chilling tome, in which a band of six invoke the ancient, deeply sinister beast the Sorrowful Monarch from the Endless Night to help them defeat some villains. As one might expect, their otherworldly invocation backfires.
Joe Hill began his writing journey striving diligently to distance himself from his well-known dad, adopting the nom de plume he continues to employ and steering clear of encounters with his agent (he possesses a strong similarity to his father). Yet with this recent release, he embraces it. Several quotes that intentionally mirror some of his father’s iconic (“The man in black fled across the desert …”); a scene that recalls a recurring theme in King’s works (a battle of wits). In this epic story, the author rejoices in his family connection, and readers share in the joy.
Returning to the group: the majority are students at the imagined Rackham College in the New England state. We have Arthur, bookish and gifted, deciphering Old English riddles in his leisure hours; Colin, rich, astute, and inclined to bulldoze obstacles in his path; Donna and Donovan; the beautiful Allie. Additionally, Gwen appears, who remains outside their academic circle, but becomes a key part of their group as they toy, partly convinced, partly skeptical, in supernatural practices.
The protagonist finds himself, due to circumstances beyond his control, obliged to take rare books from his beloved college library by a bunch of local criminals. This devastates his scholarly soul, particularly as he’s compelled to seize the library’s most valuable and chilling title: the diary of occultist the historical figure (put to death “for conspiring with dark forces in 1703”; the cover is fashioned from his hide). The intrepid group peruse the diary, discover they could summon what the occultist details as a armored demon” to assist Arthur with his blackmail problem – and occupy the subsequent narrative enduring the repercussions. This ancient entity will indeed rid them of those annoying regional antagonists, but they’ll have to choose a fresh offering each year or fall prey to the beast. As Arthur later puts it: “You invoke terrible forces, all you get is additional horrors.”
Spanning forty years, the author shifts with seamless grace through various literary forms: as the companions endeavor to address the predicament they find themselves in by, variously, picking people who are obviously evil to sacrifice, or seeking means to destroy the entity themselves, we go from page-turner to dark fantasy, clandestine torment to romance to fright. A standout transition was to a heroic journey, far beneath the surface under the English county, a part sprinkled with JRR Tolkien that was gloriously terrifying.
The novel features trolls – those living under bridges and digital trolls, truly terrifying and perfectly brought to life. The story includes mystic weapons and betrayals, breath-taking moments of courage and scenes of appalling malevolence, both human and otherworldly. It stands as a masterpiece: a horror novel that is primarily a ode to the imagination, and to love and friendship. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the friends assemble around a surface, making preparations to call forth their dragon to life with the power of their thoughts.
As Hill puts it in his opening statement: “This is dragon territory”. Do not overlook this.