Plenty has been recorded about the art of running, a therapeutic exercise with ability for cathartic release. In the realm of competitive games, yet, the stress of contests can lead athletes to forget of this fundamental aim. Adapted from the eponymous manga, Kenji Iwaisawa’s mesmerising anime looks beyond trophies and medals to examine the existential drive that fuels an athlete’s ambition.
The 100-Meter Film chronicles Togashi and Komiya, childhood friends whose career trajectories diverge when they turn professional. Formerly the quickest elementary student in Japan, Togashi helps the less confident Komiya with the basics. As the twosome move through their teens and their 20s, Komiya consistently improves up the leaderboard of top athletes, while Togashi is trapped in a decline; both struggle with fears and doubts. Covering more than 15 years, the story tracks their internal hurdles, exposing the difficulties of an competitor’s existence, caught in a cycle of public scrutiny, performance expectations and commercial obligations.
Possibly it’s down to the base story, but the movie’s approach to these intricate issues is somewhat facile; frequently, a lead’s mental struggles quickly dissolve after a lengthy conversation with a colleague or elder. But what 100 Meters lacks in story nuance and tempo, it makes up for in breathtaking graphics. Utilizing rotoscoping, in which animation is superimposed on filmed sequences, the feature produces exquisitely intricate sprinting scenes. The physical exertion of a dash is on full display, and the struggle and triumph of competition are imprinted on the athletes’ physiques.
One particularly momentous race concludes in the storm, with cascades of monochrome brushwork that engulf the frame. Beyond spoken words, these flourishes of artistic excellence encapsulate the quasi-enlightened elation the movie aims to provoke.
The 100-Meter Anime is in UK cinemas from the 16th of November.
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Erin Black
Erin Black